e premte, 09 tetor 2009
Can You Keep A sECRET?
I fell in love with this ad. Though not a fan of H&M, not a fan at all, I really admire and like their ads and campaigns and can somewhat understand how one could be enchanted to enter their shops and indulge in intensive shopping only to be disappointed days/weeks later due to MAJOR clothing-defects/malfunctions (true story).
The song's from Krister Linder, called Ingrid and apperantly was done purposedly for the ad.
e enjte, 08 tetor 2009
e martë, 22 shtator 2009
e hënë, 21 shtator 2009
Gravity's Rainbow



photo from: cory kennedy
Klaxons (and Florence, from Florence and the machine) prove once again to be great potential influences. They have apperantly abandoned colours and are dwelling into the dark, the shiny and the futuristic. I like the pants from the last guy, the uncomfortable-looking fellow. I wanna see more of this.
Labels:
florence and the machine,
klaxons
e diel, 13 shtator 2009
Channeling Baroque
I've been watching this video since yesternight. It's the hymn of juxtapositioned beauty.The clothes are great, but it's the music that catches my heart. A mix of baroque music with electronica beats, accompanying the strolls of models, bringing back the luxurious decadence of Venice. Love it!
e shtunë, 12 shtator 2009
Words from the Master
Ein Stückchen Wissen:
Früher war die Stadt weitläufiges sexuelles Jagdrevier. Die eigenschaftslose Stadt is wie eine Vermittlungsagentur: Sie bringt Angebot und Nachfrage restlos zur Deckung. Orgasmus statt Agoni: Und da sage noch einer, es gäbe keinen Fortschritt! Die obszönsten Möglichkeiten werden in den saubersten Lettern verkündet; die Helvetica ist pornographisch geworden.
Rem Koolhaas
Früher war die Stadt weitläufiges sexuelles Jagdrevier. Die eigenschaftslose Stadt is wie eine Vermittlungsagentur: Sie bringt Angebot und Nachfrage restlos zur Deckung. Orgasmus statt Agoni: Und da sage noch einer, es gäbe keinen Fortschritt! Die obszönsten Möglichkeiten werden in den saubersten Lettern verkündet; die Helvetica ist pornographisch geworden.
Rem Koolhaas
Labels:
Rem Koolhaas
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